Imagine what will happen if this work will be performed in various theatrical genres.
Probably, theatrical parodies.
One. DRAMA
One, two three, four, five, little hare went for a walk
Suddenly out a hunter runs and shoots at the little hare
Pif-paf, oy-oy-oy! My little hare dies
[but] when he was brought home he turned out to be alive.
Everything's clear! I understand everything. Let's start the rehearsal.
Everybody to the stage so that nobody must be looked for. My little cuckoo, are you in your place?
In my place. - It's good that you're in your place. Let's begin.
Cut it! When will you know your lines?
One, two, three... That's simple - one, two, three, four and five!
Understand? The author thought it through, carefully picked his words... Let's go, let's go!
Little Hare's entrance!
Cut it!
Why must there always be jumping when it's a little hare, huh?
The author says: "went, went for a walk"... You walk right? Well, so does the hare. Let's try that, eh? Continue!
Cut it! Hunter runs out suddenly. Suddenly, unexpectedly, you understand? Unexpectedly... he's scared!
Maybe he leaps out, right? It's simple. Let's continue!
Take your aim. Don't be afraid. Shoot right at the little hare.
There is some hook in it...
One can't die from such a shot. No way. But the author says: "he dies".
Can we have a real gun, something that shoots?... So that Little Hare can be killed for real.
My little hare dies...
When he's brought home....
Very good! Load the gun and let's start from the top!
Two. OPERETTA
Ah, my dear Hare! My love is not to be taken for granted!
- Hare, Hare! Wait up, Hare! - One, two, three...
four... five.
Hare!
Oh, Hare! A hunter's running out, and I see how he pierces with his eyes...
I am a foreign count!
...my name is Pif-Paf...
...I am great hunter
of trivial little pleasures.
Allow to kiss your... - Go on, kiss my...
Oi-oi-oi! Oi! Oi-oi-oi! I am dying!
...
Pif-Paf, where are you? - But, pardon, I am married.
Pif-Paf is married! Now that's a riot! Hahaha! I'm dying of laughter.
Oh Hare, I inflamed jealousy in you!
...let's start from beginning...
Oh, Hare, light up the fire in my eyes!
I will!
You see how I've withered away! - I see!
You see that you love Hare!
...
Three. Morning Show for Children.
Hello, dear children! - Hello.
Come on, let me hear you! - Hello!
Very good. Who can count to five? - Me.
Come on, let me hear you!
So our tale has begun.
I am little gray hare.
My name is Disobedient. I disobeyed my mother frequently, I hardly ate carrots.
I went to bed late, and here's the result - I'm lost.
Children, didn't anyone see a hare?
Where did he run? There?
Oh, there!
Now i'm going to kill him. Kill him.
Pif! Missed it.
Paf! I hit him.
Here to this drama play you all came abandoning your mommies,
Girls and boys, oh, disobedient ones. From here back to their mommies
they will go after the drama play, Girls and boys... Come here, obedient ones!
Four. EXPERIMENTAL PRODUCTION
One, two, one, two, one two...
One, two, three, four, five, little hare went for a walk... Testing, testing...
Mi, me, ma, mo...missing the point... One, two, three, four, five, little hare went for a walk, testing...
We will show you the drama "Pif Paf".
A hunter and a hare.
Who is right? Who is wrong?
Think, think, think...
We showed you the drama "Pif Paf".
A hunter and a hare.
Who is right? Who is wrong?
We showed you the drama "Pif Paf".
A hunter and a hare. Who's right and who's wrong?
Our credo: No Redundancy of Words.
Convention, convention, convention...
Five. OPERA
Why am I, as opera composer, drawn to the classics? That started in my childhood.
As a child I enjoyed playing the classics, e.g. Hopscotch. I liked to drink tea, naturally, with pie, especially with baisier.
From here: sublimation of childhood associations, attraction to Tschaikovsky, Bizet and so on...
As some classic said: you have to take folk music and just work it over. That's exactly what I'm doing.
So, when you take music from some composer nowadays, you take from the folk, when you take from the folk, you take from yourself. from yourself
And the main thing is that music must be yours. And if someone says: plagiarism, I tell him - tradition.
Oh, you dear field grass of mine, Oh you dear rabbits' corner
We're sure that sooner or later little hare will go for a walk in the meadow.
One, two, three, four, five...
[he] went [for a walk]
I went for a walk in the wood, I'm scared and I'm afraid
My soul is full of foreboding!
Full of foreboding is my soul!
His premonitions did not fail him!
Oh, here you are!
You're just the one I need.
You dared to eat my carrot.
What a shame, what a shame! Our hare is a thief, our hare is a thief!
Untrue! - True!
I didn't eat the carrot!
- I challenge you to a duel!
- I accept!
Now someone's blood will spill!
Now someone's...
Someone's...
Oh, will my cross-eyes now be closed forever?
- Now it will happen, blood will spill! - And I will never see you, my love?
- My love... - Now it will happen...
My love... my lovely carrot!
I'm forever yours, my lovely carrot!
Now it will happen, in a moment...
A moment...
Pif! Paf!
Oy-oy-oy-oy-oy-oy!
My little hare dies.
I shall be carried home... I'll turn out to be alive.
And this will not be the last time
that Little Hare will go on a walk!
And this will not be the last time that Little Hare will go on a walk!
A walk, a walk...
Bravo! Bravo!
Film crew: Yu. Butyrin, M. Novozhilova, S. Sichkar, V. Samoteykin, A. Kolkov
A. Levchik, M. Pershin, G. Chernikova, T. Stepanova, O. Kiselyova, V. Lopuhova, L. Nikitina, I. Yegorova, I. Balova
montage L. Georgiyeva script editor A. Timofeyevskiy production director Ye. Bobrovskaya
subtitles by Dust Angel (2009), edited by Niffiwan (2021)
The End